Stage 32 Female Driven Screenwriting Contest
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The Grand Prize Winner will also be flown to Hollywood to meet one-on-one with our judging and mentoring panel whose credits include hits RUSSIAN DOLL, BIRD BOX, SINGLE DRUNK FEMALE, THE ACOLYTE (A STAR WARS SERIES), ARRIVAL, NCIS: NEW ORLEANS and more!
ALL Finalists will receive exposure to our incredible panel of judges and have their titles and loglines featured in the Stage 32's Industry LookBook, which is sent to over 500 executives and professionals who work directly with Stage 32! Previous Stage 32 contest finalists have had their projects optioned and been signed for representation as a result of our industry lookbooks!
There is nothing more important in the entertainment industry today than lifting up unique and diverse voices. For our first contest of 2022, we chose to focus on stories centered around female characters. While Hollywood may have made some strides forward over the last few years, the industry is still dominated by men. Help us achieve our goal of promoting female driven content by submitting your screenplay today!
Female driven content has been on the rise, proving that audiences love complex female characters. Films like BRIDESMAIDS and WONDER WOMAN changed the game, proving that female lead films can be box office smashes, and series like BIG LITTLE LIES and MARE OF EASTTOWN continue to showcase how popular female driven shows can be. Recent releases like SPENCER, THE SEX LIVES OF COLLEGE GIRLS, THE UNFORGIVABLE and BEING THE RICARDOS have taken the lead on featuring all different kinds of women. We know you have fresh, unique takes on the female driven film or series, and our judges can’t wait to read them!
Nowhere else do you find top judges and mentors like you do on Stage 32. The Grand Prize Winner will meet with an incredible panel of judges from companies that have worked on some of the great Female Driven series and films in recent memory including SINGLE DRUNK FEMALE, SNOWFLAKE, LOVE AND FRIENDSHIP and more!
Benefits
The Grand Prize Winner will be flown to Hollywood to meet:
Kate Sergeant Curtis, Writer & Producer (CASTLE, CSI: CYBER, NCIS: NEW ORLEANS)
Colleen Labella, Producer & Director ("SINGLE DRUNK FEMALE", "RUSSIAN DOLL")
Carli Haney, Producer ("BETCHES" for Comedy Central, NIGHT SCHOOL)
Dallaslyn Lamb, Lit Manager, Art/Work Ent. (Client Credits Include ARRIVAL, BIRDBOX)
Kristen Lucas, Producer & Manager (SNOWFLAKE; Optioned Stage 32 Writer's Script)
Karolina Bohn, Literary Coordinator, Storied Media Group ("INSATIABLE" for Netflix, AMERICAN HONEY, "MODERN LOVE" for Amazon)
ALL FINALISTS will be in a Stage 32 Look Book which includes their script title, logline & bio mailed to over 500 industry executives including, managers, agents, producers, development executives, and financiers! Stage 32 Look Books are respected throughout the industry and have helped secure dozens meetings and which have led to writer success with companies like Verve, Good Fear, 3 Arts, APA, Echo Lake, Amazon, UTA, CAA, WME, First Friday, Pathfinder, The Cartel, Black Bear Pictures, Lit Entertainment and many, many more.
Announcements
Rules
At the program's request, Coverfly will automatically remove your title page for you if you include one when submitting to this program.
What Types Of Scripts Can I Enter?
We are looking for compelling Female-Driven stories of all genres! This means Female-driven Drama, Comedy, Sci-Fi, Thriller, Action/Adventure, Family, Horror, and any other genres you can conceive.
Feature Length Screenplays & Television Pilots:
This contest is open to Feature Length Screenplays and Television Pilots for Limited Series and Recurring Series.
ENTRANT TERMS AND CONDITIONS
Void where prohibited by law.
This Stage 32 Contest is an international contest. Must be 18 years or older to submit.
Entrant agrees to Stage32.com terms and conditions.
This Stage 32 Contest is not a game of chance. All material is read and reviewed by industry professionals.
All quarterfinalists, semi-finalists, finalists and winners are subjectively determined by our judges.
There is no limit to the number of screenplays an Entrant can enter. The same screenplay cannot be submitted multiple times under different names. If so, you will be disqualified.
Entrant must not be an immediate family member or friend of any of the judges or their respective companies.
Entrant acknowledges that because of the judges' and mentors' position in the entertainment industry they receive numerous submissions of ideas, formats, stories, suggestions and the like and that many such submissions heretofore or hereafter received by them are similar to or identical to those developed by them or their employees or, if an agent, are otherwise available to them.
Entrant acknowledges that they will not be entitled to any compensation because of the use by judges or mentors of any such similar material.
Entrant acknowledges that no fiduciary or confidential relationship now exists between Entrant and judges or mentors, and Entrant further acknowledges that no such relationships are established between Entrant and judges or mentors by reason of this contest entry.
Entrants must submit screenplays and payment online.
Entrants must upload their submission within 72 hours of entry purchase.
Entry fees will not be returned or adjusted.
No waivers are available for this contest.
SCREENPLAY TERMS AND CONDITIONS
Screenplays should be written in English and in standard industry format.
The rights to the Entrant’s screenplay should not have been previously optioned or sold.
The Entrant retains the rights to his or her screenplay at all times.
Entrant’s screenplay must not have been produced.
The screenplay can be submitted with or without a title page and/or contact information.
After a screenplay is entered, no new drafts or corrected pages can be made by the Entrant. No exceptions.
Screenplay must be submitted as a PDF document.
Screenplay must be the original work of the Entrant and may not be based whole or in part on any fictional or non-fictional material, published or unpublished, produced or unproduced for which the Entrant does not have rights. Neither Stage 32 nor its judges investigates or attests to the authenticity of an applicant’s statement of authorship or rights secured. By entering the competition, you are acknowledging that you have secured all necessary rights.
