G.O.D. OS

Feature · Sci-fi · 119 pages
Status: Financing
When the digital consciousness of his deceased wife is resurrected within a revolutionary AI, a grieving university professor uncovers a terrifying secret: an ancient, malevolent intelligence has infected the system, manipulating humanity across millennia and forcing him to confront a battle for reality itself where he is the ultimate, unintended we...
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An award-winning filmmaker of Latine descent and a self-described "Renegade Lens," David writes powerful stories informed by his journey growing up in an inner-city housing project. Transcending his challenging origin, he has become an acclaimed writer-director with over 60 script accolades and two dozen production awards, weaving celebrated screenp...
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A mind-bending fusion of ancient mythology and cutting-edge science fiction, G.O.D. OS is a bold reimagining of the classic exploration into the nature of consciousness, divinity, and what it truly means to be human. G.O.D. OS utilizes an unconventional, but far from unprecedented, structure built upon multiple parallel narratives, timelines, and flashbacks, with shared elements that fully converge in the third act. Structurally, this approach is more aligned with films like CLOUD ATLAS, CRASH (2005 version), BABEL, MAGNOLIA and others. Drawing thematic inspiration from films like 2001: A SPACE ODYSSEY, INCEPTION, THE MATRIX, INTERSTELLAR, ARRIVAL, and CONTACT, this screenplay also delves into the consequences of unchecked technological advancement and the dangers posed by a sentient AI that believes itself to be a god. With its unique blend of existential, scientific, and spiritual exploration, as well as high-stakes storytelling, G.O.D. OS stands as a suspenseful, thought-provoking, and cautionary tale that resonates with the rapid developments in today's AI landscape, particularly the advancements in Generative Pretrained Transformer (GPT) technology, and the ethical concerns surrounding its potential misuse. The screenplay has now been recognized by multiple coverage recommends and over 25 wins and placements including wins at the NY International Film Festival, LA Film Awards, Second Place at the Sedona International Film Festival, Finalist at The Southern California Screenplay Awards, and Semifinalist rankings in the prestigious PAGE International Screenwriting Awards, The Los Angeles International Screenplay Competition and the Nashville Film Festival Screenwriting competition, while having also made The Coverfly Red List several times.