Diana has a clear understanding of her voice, and it shows on the page. She subverts expectations by taking tropes and popular genres and making them her own, immersing the audience in morally gray areas. With her extensive experience and solid portfolio of pilots, she is ready for staffing opportunities and is available for representation.

Ivan, a former Marine turned USC MFA screenwriter, explores complex power dynamics through masterful storytelling. His psychological thriller "Insanity in Islamabad" earned him a coveted spot on the 2024 Tracking Board's Next List, showcasing his ability to transform challenging personal experiences into compelling narratives that subvert audience expectations. His military background and academic training combine to create stories that are both authentic and cinematically sophisticated, demonstrating a unique voice that resonates in today's market. He is available for representation.

A self-proclaimed theatre kid/band geek/ballerina, Danielle writes joke-heavy female-focused scripts that weave in elements of fantasy and surrealism. While she cut her teeth in the world of animation writing on Krapopolis and The Simpsons, her comedy work transcends formats and genres by infusing real-life inspired elements of tragedy to tell stories that make you laugh and rethink the human condition at the same time. She is available for representation and ready to staff.

Drama writer turned sketch comedy writer, Naki tackles heavy, personal topics such as death, classism, and human rights, all while wrapping them in a warm blanket that provides a light, digestible, and relatable escape from from life's harsh realities. She began her career in sketch comedy and late-night television, drawing inspiration from sitcoms like That’s So Raven. With aspirations of showrunning, Naki has gained experience at The Tonight Show, Comedy Central, Paramount, and the Hillman Grad Program. She’s also fresh off a sold-out staged reading of her multi-cam pilot, Charm City Bastards, starring Jackée Harry (227, Sister, Sister) and Angel Laketa Moore (A Black Lady Sketch Show, Churchy). Now, Naki is eager to take the next step in her career, seeking representation and staffing opportunities. You can watch the staged reading here: https://youtu.be/AWMfE4qUJqU?si=zBJcfzdfhDEAMXV7

Alix's is one of the rare writers and creators who can effortlessly navigate between formats, leveraging her strong point of view and unique voice in the horror/thriller space to craft marketable concepts and memorable characters. A produced WGA writer, she has a ton of momentum and recently took dozens of meetings with executives and producers as one of the winners of the Final Draft Big Break Screenwriting Competition. She has projects in various stages of development and pre-production and she is ready to hit the ground running, selling specs and working on OWAs. She is available for representation.

Krystal Dinsberg is a Black Native comedy TV writer who, inspired from her upbringing as a child of Air Force officers, writes scripts exploring reinvention, identity, and relationship dynamics. With a passion for unity and racial equality, Krystal tells lighthearted stories of diverse ensembles. Leaving behind a career as an HR Business Consultant to pursue writing full-time, Krystal’s credits now include shows for Lionsgate TV, Hallmark, as well as Associate Producer on THE VOICE Seasons 19 & 20 (NBC), Writers’ Assistant for the iconic reboot of THE GAME Season 1 (Paramount +), and currently as the Writers' Assistant for an upcoming Season 2 rom-com television project (Amazon). All of these accomplishments compounded with a current position in the 2022 Women in Film Mentorship program, Krystal is primed for staffing & representation.

Liana is a talented TV writer with a gift for crafting immersive stories. Her journey began at Princeton, writing for a late-night comedy show, where she fell in love with seeing her words performed. This passion led her through roles at a publishing company and a literary management firm, giving her a deep understanding of the industry. Now, as a showrunner’s assistant to Bill Lawrence, she’s honing her craft even further. Liana excels at creating rich, often aspirational worlds, like the unique setting of her project SEAKILL. Coming from a biracial family of Chinese immigrants and Jewish Midwesterners, she’s especially drawn to characters who navigate the tension between different worlds, whether cultural, professional, or personal. She has a knack for making every detail feel authentic and lived-in while keeping her characters grounded and complex. As a former city kid with a deep love for nature and the urgent questions surrounding its future she’s also drawn to environmental themes and strong female characters who defy societal norms. With a distinctive voice and a keen eye for nuance, Liana is a writer who brings depth and authenticity to every project. She’d be a fantastic addition to any writers' room!

Sara is a TV writer with an exceptionally diverse background and a captivating life story, making her an excellent addition to any writers' room. With experience in multiple shows and two prestigious fellowships, she is poised to become the industry's next writer to watch. Her voice resonates strongly on the page, and her brand is unmistakable: she can dissect any situation and cleverly subvert expectations to convey powerful messages through comedy. She is currently available for representation, but it won't be long before Hollywood takes notice of her talent.

Current Writers' Assistant on a Shondaland/Netflix limited series and recent Mentorship Matters alumn, Callie Chiang, comes with an impressive resume - having previous experiences as a Writer's Assistant for Amazon, HBO, Netflix, and First Look Media respectively, as well as a Script Coordinator credit on Law & Order: Organized Crime. As a multiracial woman born to one of the only Chinese-American men in her small Texas town, Callie has never fit into a mold. She aims to tell stories that inspire and educate audiences, helping those who don't fit the mold feel a bit more understood while drawing attention to the inherent connection we all share with one another, no matter how seemingly different we are. Callie is looking for representation and her first staffing position.