WeScreenplay
WeScreenplay Feature Lab
2021
Coverfly-exclusive
Reads in Coverfly
Active Since 2014
6 winners will be selected to participate in an exclusive virtual lab full of 1:1 meetings and workshops with industry professionals.
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About

Do you love movies? If not, this probably isn’t the place for you. Because we love movies! We love the worlds they take us too and the characters they introduce us to. We love that they make us laugh and cry and jump in fear.

We want to read your feature film scripts that are just waiting to be turned into the next big movie. 

And just look at our industry jury -- these are the folks who can take a script and turn it into a film. They’ve done it before and they’re always looking for great writers to do it again.

Plus, every single entrant is going to get written feedback from a professional reader! So what’re you waiting for? Send your script into the WeScreenplay Feature Competition now!

Benefits

This year's judges include: 

Jon Levin -- President of TV/Film production for Fourward where he also manages top literary talent. He had a long run (30+ years) as an agent at CAA, where he represented talent such as Andy Serkis, Neil Gaiman, and Mimi Leder, and  packaged such films as SHREK, HOOK, MIDNIGHT RUN, ICE AGE, WHERE THE WILD THINGS ARE, THE LEFTOVERS, THE KARATE KID, LITTLE MISS SUNSHINE, AMERICAN GODS and many others. He has worked with some top industry talent such as Brad Pitt, Natalie Portman, Steven Spielberg, and Tom Hanks, and films he has been involved with have acquired over 100 Academy Award nominations and 25 Oscar wins.

Camille Tucker -- Her feature CLARK SISTERS: FIRST LADIES OF GOSPEL from executive producers and Grammy Award winners Queen Latifah, Mary J. Blige and Missy Elliott had 2020 Emmy buzz and is one of Lifetime's most successful film of the last several years. She has sold seven other screenplays and a TV pilots, and Camille is a professor of Writing TV & Film at Biola University.

Brian Goldberg -- literary agent at Worldwide Production Agency – WPA. WPA clients have been involved with projects like IT: CHAPTER TWO, RIOT GIRLS, and AMERICAN HORROR STORY.

Lynn Chen -- Writer/Director/Actor -- Lynn wrote, directed, and starred in the feature film I WILL MAKE YOU MINE, which had its world premiere in competition at the 2020 SXSW Film Festival. She has a 3-decade career with credits in over 50 television shows (SHAMELESS, SILICON VALLEY), films (SAVING FACE, GO BACK TO CHINA), audio books (CRAZY RICH ASIANS) and video games (CALL OF DUTY: BLACK OPS III & IV). Lynn is also an Ambassador with The National Eating Disorders Association (NEDA) and Miry's List.

Writer Success

My writing partner and I wrote a feature historical drama script called JUMPMAN about the creator of Super Mario, Shigeru Miyamoto, and the historic rise of Nintendo, which was already making a big splash in the screenwriting contest world. After placing among the Top 10 Finalists of the 2021 WeScreenplay Feature Competition, WeScreenplay connected us with numerous management and production companies. As a result, we had the wonderful privilege of interviewing with several managers. In the end, Mike Diaz of ATN Entertainment left a strong impact on us and seemed to share our vision for our careers, with additional support from manager Ben Pitts and ATN CEO Jennifer Aurianne DaRe. Today, we are excited to say that we are now signed with ATN Entertainment!
Alex George Pickering
2021 Finalist
Signed with Mike Diaz at ATN Entertainment
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2025 Winners on Coverfly

Top 1%
Feature  · Drama  · 114 Pages
Most criminals start as victims … how and why does this happen? An exploration into the trauma, nature, and nurture that shape the violent behavior of 3 best friends in suburban Florida circa 2004, while 1 searches for redemption and they all struggle to let go.
Windermere, Florida
Adopted at birth, Daniel experienced significant trauma while coming of age. He dropped out of high school at 16, but went on to meet a girl, Jenn, who turned his life around at 20. From there, Daniel majored in Criminology at UCF and graduated with a Law Degree cum laude from FAMU College of Law, both in Orlando, FL. A victim of abuse and former...
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Top 1%
Feature  · Comedy  · 107 Pages
A romantasy audiobook producer reeling from a break up accidentally opens up a portal that a hot knight from a magical world falls through, and now she must help him get back home while trying to keep her own life from falling apart. BOTTOMS meets ENCHANTED
Los Angeles, CA
Lissette Jean-Marie is a writer, improv comedian (UCB's Sing Out, Louise!), and Los Angeles local since birth. She plays D&D, flirts too much, practices witchcraft, and rewatches Fleabag Season 2 a worrying amount. You'll find her sipping on whiskey sours and arguing about the sex lives of Tolkien characters at bars after improv shows all around th...
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Top 1%
Feature  · Comedy  · 106 Pages
A single mother’s candid relationship with her daughter is tested when she secretly dates the father of her daughter’s dorm-mate. At the same time her body care store is threatened by a huge competitor moving in next door, and she turns to an online insomniac’s club for advice.
Toronto, Ontario, CA
Laura produced over forty projects, winning several awards, including an International Emmy, before focusing on writing. After writing on several tv shows, she developed her original voice on features. Exploring many genres including comedy, drama, science fiction, mystery and a family Christmas story, Laura's goal is to write entertaining features...
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Announcements

Mar 15th
Semifinalists
Apr 15th
Finalists
May 15th
Winners

Rules

At the program's request, Coverfly will automatically remove your title page for you if you include one when submitting to this program.

1.Void where prohibited.

2.Except where prohibited by law, participation in the contest constitutes each entrant’s consent to WeScreenplay and its agents’ and contest sponsor’s use of entrants’ names, likenesses, photographs, and/or personal information for promotional purposes in any media, worldwide, without further payment or consideration. All uses of a entrants’ information are in accordance with our Privacy Policy.

3.BY ENTERING THE CONTEST YOU ACKNOWLEDGE THAT YOU HAVE READ AND AGREE TO THESE CONDITIONS. You agree to release and hold harmless WeScreenplay, Red Ampersand, Inc., Industry Arts, LLC., WeScreenplay.com, its subsidiary, parent and affiliated companies, Prize contributors, judges, screenplay readers, Sponsors, and any other organizations responsible for administering, advertising or promoting the Contest, and every one of their respective members, directors, employees, agents and representatives (collectively, the “Released Parties”) past and present from and against any and all claims, expenses, and liability, including but not limited to damages and negligence to property and persons, including but not limited to invasion of privacy, defamation, slander, libel, violation of right of publicity, copyright, infringement of trademark or other intellectual property rights relating to a participant’s Entry, participation in the Contest and/or acceptance or use or misuse of Prize; provided however, that such release will not apply to any commercial exploitation of the script by a Released Party in violation of your rights under applicable copyright law; and (c) indemnify, defend and hold harmless the WeScreenplay.org and its Sponsor, agents and employees from and against any and all claims, expenses, and liabilities (including reasonable attorney’s fees) relating to an entrant’s participation in the Contest and/or entrant’s use or misuse of Prize. Employees of WeScreenplay and their immediate families are ineligible to participate in this contest. Any such submission will be immediately disqualified. ENTRY TO THIS CONTEST IS VOID WHERE PROHIBITED or restricted by any Federal, State or Local law. Voided entries will be refunded. Recipients’ eligibility will be verified before the grant is awarded and the winner may be required to sign an affidavit of eligibility.

4.Screenplays entered must:

a.Be screenplays that are a minimum of 70 pages. (All scripts under 70 pages will be accepted, read, and considered through the finalist round – but cannot win one of the top 3 prizes)

b.Not include the writer’s or writing team’s name or contact information on any page of the script including the title page.

c.Include a title page with no name(s) of the writer or writing team.

d.Be submitted in PDF form and must fit all standard screenplay format guidelines. Personal formatting conventions will be accepted but must not intentionally or accidentally alter the page count of the project as determined by the judges. A rule of thumb, if your script is formatted properly and under 120 pages, it will likely not be more than 23,000 words. Anything over 120 pages will cost $1 extra per page.

e.Be owned solely by the writer or writing team listed. It may be an adaptation or reimagining of true events or fictional stories. 

f.Be written in English. However, scripts from anywhere in the world will be accepted.

g.Have pages numbered. Scripts of any length will be accepted for an additional fee, but we’d advise that scripts over 160 pages should be edited down before being submitted.

5.By entering this screenplay into the competition, you must have full permission from all co-writers and any attachments to the project.

6.Screenplays entered may be in any genre or combination of genres. All will be treated equally and read by an unbiased panel of judges.

7.Entrant’s total earnings for screenwriting for either film or tv, produced or unproduced, must not exceed $50,000 in the previous 18 months from submission or $250,000 lifetime earnings. This excludes any prize money from competitions or fellowships and only applies to fund or money transferred in exchange for an option or sale of a script, treatment, idea, intellectual property, or other writing for filming. Money earned from acting, directing, producing, or any other film work outside of writing is not included.

8.Screenplays submitted must not have been previously sold or produced unless said sale or production was competed with no financial gain to the writer.

9.For a submission to be valid it must be accompanied with the appropriate payment based on the submission deadlines.

10.All deadlines are at 11:59pm PST on the date listed. Any deadline alteration or promotion of any kind does not make any entry valid of a refund of any kind.

11.RESUBMISSIONS will be accepted. 

12.There are no refunds for any submitted screenplay. Coupons may not be applied to previously submitted scripts. Coupons deemed for WeScreenplay coverage may not be used for submission to the contest or addition of coverage to any submission unless explicitly stated or exempted on the coupon or by a WeScreenplay representative via e-mail communication only.

13.There is no limit on the number of scripts a writer or writing team may submit.

14.New drafts of an entry will be accepted at any time during the contest.

15.Prizes are award per script and teams of writers are expected to divide prizes on their own accord. WeScreenplay will send prizes to the writer who submits the project and will in no way be responsible for how the prizes are distributed among the writing teams.

16.The decision of the judges will be final and cannot be contested in any manner. There is no score on a scorecard that guarantees advancement to the next level as advancement will be based on all score in the competition.

17.Scorecards can be accessed on the writer’s dashboard. Feedback and Coverage will ideally be distributed between 2 and 3 weeks following submission, but this is not guaranteed. We only guarantee that coverage will be provided before the Quarterfinalist announcement. Classic Notes purchased through this contest will not be subject to the normal 72-hour turnaround.

18.WeScreenplay reserves the right to delay announcements for any reason. Delay may last up to but never more than 180 days. While we never anticipate any delays, such delays will not alter the standing of any screenplay entry and will qualify no script for a refund under any circumstance.

19.By entering the WeScreenplay contest every entrant is agreeing to all WeScreenplay Terms and Conditions listed and available before checkout. If you disagree with any terms you may not submit to the contest.

20.By submitting to the contest you are releasing your script to WeScreenplay and holding harmless WeScreenplay or any affiliates from any claims, expenses, and liabilities, including but not limited to invasion of privacy, defamation, copyright, libel, trademark infringement, slander, personal property infringement, etc.

21.Any prize winners will be required to sign an affidavit validating their entry into the contest.

22.Any cash prize winners of over $599 will be required to file a W-9 before the cash prize is distributed.

23.All prizes provided by sponsors or mentors are subject to said sponsor or mentor providing the prize. WeScreenplay will do everything in its power to collect the prize packages promised, but is not responsible for a sponsor’s failed delivery.

24.Any winners may have their name, script title, and picture used for any WeScreenplay promotions or promotions of our sponsors or affiliates.

25.Former Grand Prize, Second Prize, and Third Prize Winners of the contest may enter so long as it is NOT the same script that won in a previous year. Any other placement in former years does not disqualify the script from being entered this year.