ScreenCraft
ScreenCraft Feature Competition
2023
Reads in Coverfly
Active Since 2021
This year's Grand Prize Mentors include Oscar-winner David Rabinowitz (BLACKKKLANSMAN), Rose Gilroy (PROJECT ARTEMIS), Hugh Welchman (LOVING VINCENT) and Lauren Hynek & Elizabeth Martin (MULAN).
Subscribe
Currently Closed. Subscribe to receive a notification when the next season opens.

About

ScreenCraft has helped feature script writers of all different genres and voices find representation, earn paid writing assignments, land high profile options, and even sell their work. 

3 Grand Prize Winners will be selected for this year's competition. One by Oscar-nominated writer Meg LeFauve (Captain Marvel, Inside Out), one by writer Stephany Folsom (Toy Story 4, The Rings of Power), and the other by Samuel D. Hunter (The Whale). Each Grand Prize winner will receive from their respective mentor: a virtual meeting, and project development insight.

Past Feature competition Winners and Finalists have signed with managers at Epicenter, Stride Management, Schulman Management Group, and more.

So whether it's a blockbuster that thrills, an indie that inspires, or a feature of any genre in-between, our jury is excited to connect with your voice as a writer!

Benefits

GRAND PRIZE MENTORS

MEG LEFAUVE

Oscar-nominated writer, INSIDE OUT, CAPTAIN MARVEL

Nominated for a Best Screenplay Oscar for the blockbuster INSIDE OUT, LeFauve won an Annie Award for that screenplay. She also wrote Pixar’s Golden Globe nominated THE GOOD DINOSAUR and is currently writing a series for Hulu as well as the animated film MY FATHER’S DRAGON for Netflix and Cartoon Saloon. She wrote on Marvel’s box office hit, CAPTAIN MARVEL. She began her career as a producer and President of Egg Pictures, Jodie Foster's film company. Her produced films were nominated for an Emmy, a Golden Globe, and she was awarded a Peabody for the Showtime film, THE BABY DANCE. LeFauve has taught at AFI and served as co-chair of the Graduate Producers Program at UCLA's School of Film and TV, where she taught master level story and development classes for over seven years.

STEPHANY FOLSOM

Writer, Producer, TOY STORY 4, THE RINGS OF POWER

Stephany Folsom has written on Marvel’s THOR: RAGNAROK, Lucasfilm’s STAR WARS RESISTANCE series, and co-wrote the Academy Award-winning TOY STORY 4. She also created and executive produced PAPER GIRLS for Amazon Prime. She serves as consulting producer and writer on LORD OF THE RINGS: THE RINGS OF POWER. In her spare time, she is executive producing, showrunning and writing a KING KONG series for Disney+ with James Wan also executive producing.

SAMUEL D. HUNTER

Writer, THE WHALE and BASKETS

Samuel D. Hunter is the recipient of a 2014 MacArthur “Genius Grant” Fellowship for his work as a playwright. His full-length plays include The Whale (Drama Desk Award, Lucille Lortel Award for Outstanding Play, GLAAD Media Award, Drama League and Outer Critics Circle nominations for Best Play). A film version of The Whale, directed by Darren Aronofsky and starring Brendan Fraser, was released by A24 Films. His other full-length plays include, A Case for the Existence of God, A Bright New Boise, Greater Clements, The Few, and Lewiston/Clarkston, among others.

THE JURY
The top scripts are considered by our industry jury that love feature films.

sc-logo-circle-of-confusion.png

ZACH COX

Manager, Circle of Confusion

Zach Cox is a Sierra Nevada-loving Chico State graduate and Northern California native who’s been at Circle of Confusion for over 14 years. He started as an intern in the Fall of 2006 and became a manager by the Fall of 2010. Zach has an unquenchable thirst for character-driven stories regardless of genre and believes great storytelling is a gift that can be honed but not outright taught.

sc-logo-verve.png

JESSICA ZOU

MP Lit Agent, Verve

Born and raised in China, Jessica holds a Master in Communication Management from USC. During school years, she interned at Legendary and Sidney Kimmel Entertainment. She started in the mailroom at UTA, moving on to assist agents in the Motion Picture Literary department who represent writers, directors, and producers. She also focuses on finding diverse voices and bridging different cultures within Hollywood. In 2020, Jessica joined Verve as an MP Lit agent.

ERIC APPEL

Writer, Director, Producer

Eric Appel co-wrote, produced and directed WEIRD: THE AL YANKOVIC STORY, which premiered to rave reviews at TIFF and won the TIFF People’s Choice Award in the Midnight Madness section. The film stars Daniel Radcliffe and Evan Rachel Wood. He’s currently in post on DIE HARTER, the follow up to DIE HART for Roku. The sequel stars Kevin Hart and Jon Cena. He recently directed episodes of season 2 of the Lord Miller produced Sony/Apple+’s series THE AFTERPARTY. Eric has also directed episodes of SON OF ZORN, HAPPY ENDINGS, SILICON VALLEY, BROOKLYN NINE-NINE, NEW GIRL, THE OFFICE and many other hit shows.

sc-logo-netflix.png

KRISTEN KIASALEH

Original Series, Drama Development team at Netflix

Kristen Kiasaleh is currently in the Original Series, Drama Development team at Netflix. Prior to Netflix, she worked in feature development at Denver & Delilah Productions, Charlize Theron's productions company. She also worked for the head of casting at Amblin Partners where they oversaw the casting process for both film and TV. Kristen began her career at ICM Partners working for a motion picture talent agent. She's a graduate of New York University.


PRIZES


Grand Prize

3 Grand Prize Winners will be selected for this year's competition. One by writer Meg LeFauve (Captain Marvel, Inside Out) one by writer Stephany Folsom (Toy Story 4, The Rings of Power), and the other by Samuel D. Hunter (The Whale). Each Grand Prize winner will receive from their respective mentor: a virtual meeting, and project development insight.


Winners will be welcomed to the ScreenCraft Writer Development Program and receive personal introductions and calls with one or more top Hollywood literary manager(s) who are looking for talented emerging screenwriters.


Winner will also receive:

-  Personal Introduction to top literary managers

-  Accepted into the ScreenCraft Development Program

 - $1,000 Cash

 - An exclusive invitation to a Finalist only workshop to position yourself and your writing to the industry


Finalists

- An exclusive invitation to a Finalist only workshop to position yourself and your writing to the industry


ADD-ON PRIZE OPPORTUNITY
Mentorship Prize

This optional add-on prize category will grant one eligible writer the opportunity to learn, develop, and strengthen their project with guidance from an industry professional. This unique add-on benefit is separate from the ScreenCraft Feature Competition prizes and placements.


The mentorship prize partner will select one writer/writing team with an outstanding concept from the ScreenCraft Feature Competition for a mentorship opportunity.


Only projects submitted to the ScreenCraft Feature Competition AND that select this add-on are eligible for consideration in this category. Additionally, all projects that place in the Top 10 of the competition will automatically be considered.

Writer Success

Joining the ScreenCraft family has been one of the best experiences. I told them that it feels like a parental type of love (Did this get weird?) cause you feel so taken care of as a writer. They helped connect me to Brittney (my manager). Even before winning the Grand Prize Award for the feature competition, they were championing me and sending my materials to agents and managers. I will be forever grateful for this competition.
Kristin Erickson
2021 Winner
Screencraft was instrumental in my getting repped! I'd had several meetings over the years, but really didn't know how to present myself and my work in an interesting, concise, appealing way. But after WHEN HORROR MET SALLY... made the Finals in the Screencraft Feature Competition, it really boosted my confidence and made me work that much harder to try and get repped. Screencraft worked with me and helped me finally understand how to present myself and my work in meetings and pitches. Being able to say, "I write genre-bending romantic comedies, usually with a dark twist, and a dash of hopefulness," lets people know what I'm all about, and Screencraft helped me get there. They also helped me frame my personal story of who I am and what led me to write the kinds of dark, yet hopeful stories I create. Writing is easy compared to the process of trying to sell myself to an agent or manager. I used to think that if I wrote great scripts, the rest would just fall into place, but...um, no...that's not the case! My phone wasn't exactly ringing off the hook. Writing great scripts is a huge part of it, to be sure, but so is being able to sell yourself and your work in meetings and pitches. Screencraft helped me hone my pitch through personal guidance with Cameron and Donnita, who are both terrific, by the way. Being a Finalist also tremendously elevated my Coverfly ranking, and my rep might not have found my script had I not gotten that boost! But it also let the industry know that my horror/comedy, WHEN HORROR MET SALLY..., could do extremely well in all sorts of contests, not just horror-specific ones. My script was a Finalist in the Screencraft Feature Competition next to serious dramas, great sci-fi, hilarious comedies, and even some undefinable, weird and wonderful work. It was such a terrific mix of stories and writers, and I was honored to be there. All in all, a tremendous experience.
Ervin Anderson
2021 Finalist
I placed as an honourable mention in this competition, and the ongoing feedback and advice from them has been helpful, encouraging and highly valuable. I now have a network of other writers to go to for support, as well as access to the Screencraft team when I have questions or need advice moving forward. Very happy I entered this competition!
Sarah Deakins
2021 Finalist
competition insights image
Coverfly Program Insights
Coverfly vets all programs on its platform, but not every program is right for every writer. Program Insights help you decide where to submit your work.

2024 Winners on Coverfly

Top 1%
Feature  · Comedy  · 107 Pages
When her long time unrequited love Mr. Fitzwilliam Darcy returns to London society with his new bride Lizzie Bennett, wealthy socialite Prudence Priestley decides it's up to her to prove his new wife is not worthy of him. (This is set in Jane Austen universe).
New York, NY
Fran Ervin is an award-winning writer, director and producer whose most notable accolades include winning the 2024 Screencraft Feature Competition's Grand Prize, alumni of the 2024 Stowe September Writer's Retreat, and recipient of a first look deal with Universal Pictures Fran's debut feature film has garnered nearly 2 million views on YouTube ...
Show more
COUNTERPOINT
Private
Feature  · Drama  · 93 Pages
In New York City, the friendship between two violinists at an elite high school conservatory turns vicious when a life-changing competition is announced.
Los Angeles, CA
Arden Earnest is the recipient of the Slamdance Screenplay Award, a ScreenCraft Grand Prize Winner, and was recently awarded AFI's Writers Room Ready distinction. An alum of the AFI Conservatory and USC School of Cinematic Arts, she is currently in post-production on a short film she wrote and directed, inspired by her award-winning feature script C...
Show more
Top 1%
Feature  · Drama  · 116 Pages
A young single mother struggling to make ends meet embarks on a dangerous road trip to deliver a large illegal shipment with her three-year-old daughter. Tensions boil and treacherous conflicts arise, with her fortitude as a mother tested to the breaking point.
New York, NY
Mira is an Asian & Arab American writer-director from Cleveland, Ohio with a BFA in Film & TV from NYU Tisch. Most recently, her script “Equinox” earned the Grand Prize in ScreenCraft’s 2024 Feature Competition, allowing her to become an endorsed writer on Coverfly. Additionally, when “Equinox” was featured on Deadline Hollywood as a script develo...
Show more
See Other Placements

Announcements

Aug 9th
Semifinalists
Sep 13th
Finalists
Oct 11th
Winners

Rules

At the program's request, Coverfly will automatically remove your title page for you if you include one when submitting to this program.

  1. Submissions are accepted via electronic submission only.

  2. Entry fees are as listed on the site and checkout form. No coupon or discount is applicable on a previous entry.

  3. Optional feedback from a professional reader may be requested at the time of entry. Requests for feedback can be done through Coverfly.

  4. Only Feature screenplays are eligible for submission. Any script submission longer than 120 pages will incur a $.50 per page overage fee for each page over 120 if it does not include feedback and $1 per page if the entry does include feedback.

  5. There is no limit to the number of projects you may submit.

  6. Entries must be received on or before the deadline dates by 11:59PM Pacific Time, and submission fee payment must be made in full at time of the submission. All entry fees are non-refundable.

  7. All submitted material must be owned by the writer(s), however the material may be based on other works not owned by the writers.

  8. Material must be submitted by the writer. Material written by writing teams must be submitted by one of the writers, with consent of the other(s).

  9. If a writing team is chosen as a winner, prizes will be given to the person who submits the project. Each team is responsible for dividing or sharing any prizes awarded as they deem fair (whether there is a cash value or not).

  10. Substitutions of either corrected pages or new drafts of the entered material will be allowed for a limited time with a $6 reentry fee through Coverfly. Please proofread your script carefully before submitting.

  11. It is recommended that original material be registered with the WGA or The Library of Congress before submitting to any competition, however we do not require registration.

  12. Contact info may be included on the cover page of the screenplay, however it is not required. ScreenCraft uses Coverfly to manage submissions and automatically removes cover pages before scripts are read by the judges.

  13. ScreenCraft claims no ownership nor option on your work. All ownership and rights to the scripts submitted to this contest remains with the original rights holders. 

  14. The decision of the judges will be final and cannot be contested in any manner. There is no score on a scorecard that guarantees advancement to the next level as advancement will be based on all scores in the competition.

    In the event a juror, partner organization, mentor, or prize partner is no longer able to serve in their specified capacity, ScreenCraft will make its best effort to secure a replacement.

  15. ScreenCraft reserves the right to change deadline and announcement dates at any time.

  16. ScreenCraft reserves the right to amend these rules at any time.

    For a full list of rules and eligibility please visit ScreenCraft.