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Aug 31st
Special Entry
Oct 15th
Early
Dec 15th
Regular
Dec 22nd
Late
Jan 7th
Extended
Script Pipeline
Script Pipeline Great Idea Contests
2021 - Summer/Fall
Active Since 2012
The Script Pipeline Idea Competitions seek original pitches for film and TV to develop and connect with managers, producers, and other industry execs.
Accepting Treatments, Pitches and Series Bibles
Enter Now
Enter before October 15th to save $5

About

The Great Movie and TV Show Idea contests are searching for original feature film and television series pitches. Ideally, distinct stories a global, diverse audience can connect with. Any genre, studio-level or indie, is accepted. Completed scripts are not reviewed, nor are entrants required to have a screenplay or pilot, as we help develop the selected projects.

Each of the two divisions, Movie and TV, select one Grand Prize Winner and one Runner-up.

For the winner and runner-up, Script Pipeline provides additional assistance to refine the pitch, or help the writer draft a polished screenplay or pilot. Our execs review and offer feedback at all stages of development. When the work is ready for circulation, we send the material to specific producers and reps looking for relevant, high-concept, marketable films and series. All writers retain the rights to their script, and development assistance for the winner is entirely optional.

The company’s unique process, consisting of long-term writer development and widespread circulation of material, gives selected writers access to top execs worldwide as well as the proper guidance to advance their careers.

Over $8 million in screenplays and pilots have been sold by Script Pipeline writers, with numerous scripts produced since 1999. In September 2020, Legendary picked up finalist screenplay Bring Me Back by Crosby Selander for seven figures, and in the last few years alone, Script Pipeline winners and finalists have optioned screenplays, sold shows, or were staffed on streaming and network series, including Writers Guild Award-winner Howard Jordan Jr. (Family ReunionThe Unicorn), Tripper Clancy (Die HartStuber), and Laura Bensick (Everyday Insanity). Many others connected with representation, such as Screenwriting winner Helen Gaughran signing with UTA and recent writers signing with managers at Kaplan/Perrone, Bellevue, Writ Large, and Zero Gravity.

Prices & Deadlines

Oct 15th
Early
Dec 15th
Regular
Dec 22nd
Late
Jan 7th
Extended
Movie Idea Entry
$25.00
$30.00
$35.00
$40.00
TV Idea Entry
$25.00
$30.00
$35.00
$40.00
Movie Idea Entry + Feedback
$120.00
$125.00
$130.00
$135.00
TV Idea Entry + Feedback
$120.00
$125.00
$130.00
$135.00

Benefits

MOVIE IDEA
Grand Prize Winner (1) - $1,000: January 31st, 2022
Runner-up (1): January 31st, 2022

TV IDEA
Grand Prize Winner (1) - $1,000: January 31st, 2022
Runner-up (1): January 31st, 2022

Winners and Runners-up in both divisions receive the following:

  • Extensive development and assistance in completing a screenplay or pilot (optional)
  • Long-term circulation to producers and other companies
  • Review of additional pitches and completed film or TV material

2021 - Winter/Spring Winner on Coverfly

See Other Placements

Announcements

Jan 31st
Winners

Rules

Script Pipeline's criteria is based primarily on the overall marketability of the concept, preferably hitting a "Goldilocks zone" between commercial/mainstream and something wholly new, relevant, and creative. Although we're strict on judging, we're open to all types of narrative or scripted pitches (no reality or game show ideas).

In the past, selected ideas have ranged from lower-budget indies, to big-budget studio films, animation, true stories, and high-concept genre material. Anything unique and universally appealing is fair game. We highly recommend writers submit more detailed summaries  spotlighting the elements that make your project distinct: why this story, why these themes, and in many cases, why you, the writer, are most apt to develop this type of project. Sell yourself and your script concept.

Only written submissions are accepted, we no longer accept video or other media.

For pitches:

  • Must submit a full story synopsis and logline. This can range from a page in length to a full treatment--entirely up to you on how to best present your idea. We do not judge on format, we judge on the idea itself. Supplemental materials (illustrations, etc.) are allowed. The best format is usually comprised of a logline, a page-long summary, and any other comments on the originality of the premise.
  • Do not send full-length screenplays--summaries ONLY. Pitches may be emailed direct or uploaded.
  • Remove your name and contact information from the documents prior to submitting.
  • Longer submissions are judged on the same criteria as short ones, so whatever length you think is best.

General rules:

  • Concept must be for a feature-length film or scripted TV series.
  • Script Pipeline will not share your idea with anyone unless you’re chosen as a winner or runner-up and give us explicit permission to do so.
  • Previous Idea Contest winners and runners-up (since 2012) are ineligible.
  • Should go without saying, but the idea needs to be ORIGINAL and not based on an existing franchise or property, unless it's in the public domain. If the idea is in the public domain, it should have some sort of defining factor that takes a distinctive approach and clearly demonstrate how you plan to adapt.
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2021 - Summer/Fall