Stage 32
Stage 32 Comedy Feature Screenwriting Competition
2021
Active Since 2015
Stage 32 is proud to present the 9th Annual Comedy Feature Screenwriting Competition!
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About

We think the world could use a good laugh right now. And we’re not alone! Streamers, Studios, Producers, and Literary Managers have been clamouring for more Comedy features and television series. Some of the most popular films of 2020 - including the zany Romantic Comedy THE WRONG MISSY, the underdog Comedy EUROVISION, while instant holiday classics like THE CHRISTMAS CHRONICLES and HOLIDATE - prove that Comedy is experiencing a resurgence around the world. 

In fact, the Action-Comedy CHICK FIGHT was a just released in theaters and VOD with Malin Akerman, Alec Baldwin, and Bella Thorne. That script was found through Stage 32! 

Now we’re back to answer the call for exciting new comedy! Which is why Stage 32 is excited to announce our 6th Annual Comedy Writing Contest!

Benefits

The Grand Prize Winner will be flown to LA (travel permitting) and meet with judges and mentors including:

 

Vijal Patel (Emmy-nominated writer, "BLACK-ISH", "THE MIDDLE", "SCHOOLED")

Casey Minella - Literary Manager, Circle of Confusion (Client credits include "CRAZY EX-GIRLFRIEND", "THE MARVELOUS MRS. MAISEL", and "SMILF")

Katie Abbott - Literary Manager, Circle of Confusion (Client credits include "CRAZY EX-GIRLFRIEND", "THE MARVELOUS MRS. MAISEL", and "SMILF")

Michael Shanker - Creative Executive, 87North Productions (Credits include DEADPOOL 2, LATE NIGHT)

Carli Haney - Producer, MONOPOLY with Kevin Hart

Andrew Kersey - Literary Manager, Kersey Management (Client credits include VACATION FRIENDS)

Rob Kutner - Writer, “CONAN”, “THE DAILY SHOW”

Jonathan Kesselman - Writer/Director, THE HEBREW HAMMER

 

Additionally, the Grand Prize Winner will receive one-on-one mentoring from Emmy-nominated Comedy writer Vijal Patel, who has written for "BLACK-ISH", "THE MIDDLE", and "SCHOOLED" for ABC, as well as features for DreamWorks.

 

ALL Finalists will have exposure to these judges, & both their titles & loglines will be featured in our Industry LookBook (sent to over 500 executives & professionals who work directly with Stage 32)! Previous Stage 32 finalists have had their projects optioned &/or been signed because of their inclusion in our LookBooks!

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Coverfly vets all programs on its platform, but not every program is right for every writer. Program Insights help you decide where to submit your work.

2024 Finalists on Coverfly

Top 1%
Feature  · Adventure  · 99 Pages
LOGAN meets FINDING NEMO! A lonely 8-year-old girl and a grizzly fisherman team up on an extraordinary odyssey across the world to find her Mama in Australia while being hunted by an obsessive Social Services Agent hellbent on bagging the girl first. ~PAPER MOON on steroids~
Ana R. Dominick is a 2023 Final Draft Big Break Winner and Black List Recommended (Top 1%). She optioned her first script at age 19 and has been filmmaking since her teens. She graduated from the UCLA Graduate Directors/Writers/Producers Program in Los Angeles. Currently, she is writing a kick-ass horror project as her directing debut. IG @anardomi...
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Top 3%
Feature  · Adventure  · 99 Pages
When a woman receives an envelope with her missing husband's driver's license and a feather, she enlists a wacky bird expert to join her in her search to, of all places... Mongolia.
Boulder, CO
Ray Keller is an award-winning optioned screenwriter and filmmaker who has written over two dozen screenplays, earning over one hundred awards. He’s a Page Awards Winner, Austin Film Festival Semifinalist and Academy Nicholl Semifinalist who founded Generosity Films after an engineering career. Ray looks forward to bringing his brand of edgy, social...
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Show 1 more writers
Top 3%
Feature  · Comedy  · 105 Pages
Luther, a queer, black actor must navigate his precarious career, pitiful love life, and puzzled parents, all while constantly questioning if he is, indeed, the right "type" of black.
Central Islip, New York
Eric McKeever is a professional opera singer by day (well, night actually), a podcast producer, and a writer. His scripts have received accolades from Scriptapalooza, Emerging Screenwriters , Stage 32, Creative Screenwriting Unique Voices Competitions, the LA International Screenplay Awards, the Launch Pad Pilot Competition, WeScreenplay Dive...
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Announcements

May 21st
Semifinalists
Jun 4th
Finalists
Jun 18th
Winners

Rules

ENTRANT TERMS AND CONDITIONS

Void where prohibited by law.

This Stage 32 Contest is an international contest. Must be 18 years or older to submit.

Entrant agrees to Stage32.com terms and conditions.

This Stage 32 Contest is not a game of chance. All material is read and reviewed by industry professionals.

All quarterfinalists, semi-finalists, finalists and winners are subjectively determined by our judges.

There is no limit to the number of screenplays an Entrant can enter. The same screenplay cannot be submitted multiple times under different names. If so, you will be disqualified.

Entrant must not be an immediate family member or friend of any of the judges or their respective companies.

Entrants must submit screenplays and payment online.

Entry fees will not be returned or adjusted.

No waivers are available for this contest.

SCREENPLAY TERMS AND CONDITIONS

Screenplays should be written in English and in standard industry format.

The rights to the Entrant’s screenplay should not have been previously optioned or sold.

The Entrant retains the rights to his or her screenplay at all times.

Entrant’s screenplay must not have been produced.

The screenplay can be submitted with or without a title page and/or contact information.

After a screenplay is entered, no new drafts or corrected pages can be made by the Entrant. No exceptions.

Screenplay must be submitted as a PDF document.

Screenplay must be the original work of the Entrant and may not be based whole or in part on any fictional or non-fictional material, published or unpublished, produced or unproduced for which the Entrant does not have rights. Neither Stage 32 nor its judges investigates or attests to the authenticity of an applicant’s statement of authorship or rights secured. By entering the competition, you are acknowledging that you have secured all necessary rights.