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Stage 32
Stage 32 Female Driven Screenwriting Contest
2024
Active Since 2022
Stage 32 is excited to present our 3rd Annual Female Driven Screenwriting Contest! Open to both Feature Script and Television Pilots!
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About

Grand Prize Winner flown to LA to meet with industry professionals who have worked on WEDNESDAY, HANDMAID'S TALE, CRAZY RICH ASIANS, BOOKSMART, MADAME BOVARY, and more!


ALL finalist loglines will go into a Stage 32 Look Book sent to over 500 entertainment industry executives!


Open to Feature Film and TV Pilot Scripts!

Female-driven movies center around strong, multifaceted women, navigating the complexities of life, often breaking societal norms, and supporting each other in pursuit of their dreams, unraveling powerful narratives of strength, friendship, and self-discovery, that highlight and celebrate the diversity and complexity of women's stories. All-time classics like LITTLE WOMEN and HIDDEN FIGURES remind us of the importance of family and friendships, while globe-trotting adventures like KILL BILL and THELMA & LOUISE take us on journeys across the world. Audiences are always ready for that next female-driven movie hit -- and we want it be YOURS!

We are on the hunt for ALL types of female-driven movie and TV scripts - all stories are welcome! We are looking for:


> Scripts like: BARBIE, M3GAN, BOTTOMS, MEAN GIRLS, ATOMIC BLONDE, POLITE SOCIETY, THE MARVELS, 80 FOR BRADY, MOTHER, ARE YOU THERE GOD? IT'S ME MARGARET, ERIN BROKOVICH, WIDOWS, TOMB RAIDER, ALIEN, THE OLD GUARD,  JOY RIDE, GIRLS TRIP, HEART OF STONE, WONDER WOMAN, THE FAVOURITE



But that's not all, we want to see all new, unique and fresh ideas that we haven't seen before!

For the last 12 years, Stage 32 Contests have led to dozens of success stories including writers getting representation, sold, optioned, staffed, given writing assignments and getting produced. No other contest opens more doors and we want to do the same for you.


If you have a female-driven story that needs to be told, now is the time to show us what you've got, because our goal is to amplify your voice, give you the access Stage 32 is known for, and take your writing career to the next level!


 

Script Coverage & Resubmission Options

Would you like immediate feedback on your submission and the option to make changes and resubmit? Using our NEW Feedback & Resubmission Option you will get 3-5 pages of coverage/notes back in 5-days with a guaranteed option to resubmit one (1) revised draft of your script up to 10 days after the Final Deadline! See what elements of your script are working and what still needs to be developed. You can position yourself for the best chance of success - all for an additional fee of only $99. Please submit revised drafts to contests@stage32.com.


This option is good for a one-time use and is non-refundable/non-transferable if you do not enter an updated draft. See full terms in the Rules Section. The last day to submit new drafts with this option is April 7th, 2024

 

Stage 32 Contest Winners Have Gone on to Work With:

 

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Benefits

The Prizes


Our Grand Prize winner will:


  • Be flown to LA for meetings (travel permitting) to meet with:
    • -Katherine Martinez-DeLeon, Development Executive & Producer, NETFLIX (WEDNESDAY, HANDMAID'S TALE)
    • -Kate Sharp, Manager, Bellevue Productions (Client credits include THE GOOD PLACE, SILICON VALLEY, MADAME BOVARY)
    • -Tiffany Boyle, President of Packaging & Sales, Ramo Law PC (JOYLAND, CHICK FIGHT)
    • -Allison Friedman, Producer, Mountain Path Entertainment (CRAZY RICH ASIANS, THE FIX)
    • -Natalie Goldberg, Producer, Delirio Films & Gloria Sanchez Productions (BOOKSMART, HUSTLERS)
    • -Rachel Halilej, Creative Executive, Hunting Lane Films (BLUE VALENTINE , THE AFTER PARTY)
    • -Robin Galloway, Manager & Producer, Gramercy Park Entertainment (Client credits include BRAND NEW CHERRY FLAVOR, THE 100)
    • -Sarah J. Cornelius, Creative Executive, Whitewater Films (Sundance winner FIRST GIRL I LOVED, SMALL ENGINE REPAIR)

  • Work with Stage 32 to develop your winning script’s pitch deck for the market

  • Have your professional biography sent to an exclusive roster of over 30 agents and managers who have a First Look deal with Stage 32 and are actively looking for new clients and material after the strike is over.

  • Receive a free membership to the Stage 32 Writers’ Room, a private, virtual community of writers from around the world the meet and learn from industry professionals like Meg LeFauve (INSIDE OUT, CAPTAIN MARVEL) and Aimee Riviera, VP of Motion Picture Production at Skydance Media (TOP GUN: MAVERICK), Tripper Clancy (STUBER) and managers & agents from WME, CAA, Gersh, Circle of Confusion, Zero Gravity & more!

  • Free access to Stage 32’s educational webinar library, which includes over 3,000 hours of content featuring top industry professionals
  • Continued support from the Stage 32 team to help move your career forward and get you in front of decision makers!

In addition to these meetings, the winner will also receive access to Stage 32’s Educational resources, be promoted on Stage 32’s social media, and have their professional biography sent to an exclusive roster of over 30 agents and managers hand picked by Stage 32 who are actively looking for new clients and material. Stage 32 will facilitate introductory meetings to any of the representatives who respond to your material and bio. This is the type of exposure that will change your career forever!

 


If you reach the Finals, you still get massive exposure to decision makers!


ALL FINALISTS will receive a FREE MONTH OF THE MEMBER'S ONLY STAGE 32 WRITERS' ROOM, an exclusive community of writers who gather online for inspiring and educational webcasts from top industry pros, and will be in a Stage 32 Lookbook which includes their script title, logline & bio mailed to over 500 industry executives including, managers, agents, producers, development executives, and financiers! Stage 32 Lookbooks are some of the most sought after talent resources for the industry and have helped secure meetings with places like Verve, Good Fear, 3 Arts, APA, Echo Lake, Amazon, UTA, CAA, WME, First Friday, Pathfinder, The Cartel, Art/Work and many, many more.

 

Stage 32 will be a champion for your script - once you’re part of our community, we make sure you rise to the top!

 

Our Screenwriting Contest Winners See Results

Stage 32 has launched the careers of hundreds of writers over the last 12 years. Stage 32 has quickly emerged as the leading source for industry executives to uncover new talent! Is this your year to move the needle on your career?


  • Last year's winner, Jimmy Miller gained a lot of traction on his winning script SLUGGER and is currently taking a full slate of meetings with managers, now that the WGA strike has finally ended.

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  • Last year’s finalists have had their work requested by managers and producers at Cold Iron Pictures, Nightshade Entertainment, Writ Large and more.

  • 1st Annual Female Driven contest winner, Jennifer Goldson was signed by Dallaslyn Lamb at RAIN, whose client's credits include THE DEUCE and YELLOWJACKETS!

Don't believe us? Let 1st Annual Female Driven Contest Winner Jennifer Goldson tell you why you should enter!

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Still don’t believe us? Let Previous Contest Winners Christina Pamies & Jonathan Jordan tell you why you should enter!

  • Winner Christina Pamies was signed by Billion Dollar Literary Manager Jake Wagner. After that, he got her a paid gig with StudioCanal adapting the highly anticipated BAGHEAD. Check out the Variety article the film is featured in.

  • Winner Jonathan Jordan was signed by major literary agency Verve, and worked on a script currently in production through them. He has also signed with a manager and is currently working on a new film.

  • Winner Greg Mania was signed by Cohn/Torgan Management, and has since published a memoir called Born To Be Public, which was named NPR’s Best Book of 2020.
  • Winner Diana Wright signed with Audrey Knox at The Cartel, a prominent management company, and with Culture Creative Entertainment.
  • Winner Julie Ann Cross won a mentorship with Amy Baer of Gidden Media, and a $7,500 option agreement.

Click the "Success Stories" link here for even more testimonials from our past winners!

 

 

Judge’s Credits and Company/Client Credits Include:

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Important Dates to Be Aware Of

Super Early Bird Deadline: January 19th, 2024

Early Bird Deadline: February 7th, 2024

Regular Deadline: March 6th, 2024

Final Deadline: March 27th, 2024

 

Quarterfinalist Announcement: May 24, 2024

Semifinalist Announcement: June 7th, 2024

Finalist Announcement: June 21st, 2024

Winner Announcement: July 5th, 2024


Feedback & Resubmission Option

Would you like immediate feedback on your submission and the option to make changes and resubmit? Using our NEW Feedback & Resubmission Option you will get 3-5 pages of coverage/notes back in 5-days with a guaranteed option to resubmit one (1) revised draft of your script up to 10 days after the Final Deadline! See what elements of your script are working and what still needs to be developed. You can position yourself for the best chance of success - all for an additional fee of only $99. Please submit revised drafts to contests@stage32.com.

This option is good for a one-time use and is non-refundable/non-transferable if you do not enter an updated draft. See full terms in the Rules Section. The last day to submit new drafts with this option is April 7th, 2024.

2023 Winner on Coverfly

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Announcements

Jun 7th
Semifinalists
Jun 21st
Finalists
Jul 5th
Winners

Rules

At the program's request, Coverfly will automatically remove your title page for you if you include one when submitting to this program.

ENTRANT TERMS AND CONDITIONS

Void where prohibited by law.

This Stage 32 Contest is an international contest. Must be 18 years or older to submit.

Entrant agrees to Stage32.com terms and conditions.

This Stage 32 Contest is not a game of chance. All material is read and reviewed by industry professionals.

All quarterfinalists, semi-finalists, finalists and winners are subjectively determined by our judges.

There is no limit to the number of screenplays an Entrant can enter. The same screenplay cannot be submitted multiple times under different names. If so, you will be disqualified.

Entrant must not be an immediate family member or friend of any of the judges or their respective companies.

Entrant acknowledges that because of the judges' and mentors' position in the entertainment industry they receive numerous submissions of ideas, formats, stories, suggestions and the like and that many such submissions heretofore or hereafter received by them are similar to or identical to those developed by them or their employees or, if an agent, are otherwise available to them.

Entrant acknowledges that they will not be entitled to any compensation because of the use by judges or mentors of any such similar material.

Entrant acknowledges that no fiduciary or confidential relationship now exists between Entrant and judges or mentors, and Entrant further acknowledges that no such relationships are established between Entrant and judges or mentors by reason of this contest entry.

Entrants must submit screenplays and payment online.

Entrants must upload their submission within 72 hours of entry purchase.

Entry fees will not be returned or adjusted.

No waivers are available for this contest.



SCREENPLAY TERMS AND CONDITIONS

Screenplays should be written in English and in standard industry format.

The rights to the Entrant’s screenplay should not have been previously optioned or sold.

The Entrant retains the rights to his or her screenplay at all times.

Entrant’s screenplay must not have been produced.

The screenplay can be submitted with or without a title page and/or contact information.

After a screenplay is entered, no new drafts or corrected pages can be made by the Entrant unless it is confirmed in our records that the Entrant has paid for the "Resubmission" option.

Screenplay must be submitted as a PDF document.

Screenplay must be the original work of the Entrant and may not be based whole or in part on any fictional or non-fictional material, published or unpublished, produced or unproduced for which the Entrant does not have rights. Neither Stage 32 nor its judges investigates or attests to the authenticity of an applicant’s statement of authorship or rights secured. By entering the competition, you are acknowledging that you have secured all necessary rights.