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Stage 32
Search for New Blood Screenwriting Contest
2024
Active Since 2014
Stage 32 is excited to announce the 11th Annual Search for New Blood Screenwriting Contest! Accepting Features and TV Pilots
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About

The best horror movies masterfully build tension and fear through atmosphere, pacing, and psychological depth, while delivering memorable scares that linger with the audience long after the credits roll.  Classic horror series like STRANGER THINGS or THE WALKING DEAD are some of the most watched series of all time and keep spawning new seasons year after year. Current horror franchises like SCREAM, A QUIET PLACE, and THE EXORCIST won't stop delivering amazing sequels to fans.


So far this year, films such as LONGLEGS, NIGHT SWIM, and ABIGAIL have performed very well at the box office. Audiences are always ready for that next horror smash hit -- and we want it be YOURS!


We are on the hunt for ALL types of horror scripts - all stories are welcome!


We are looking for horror feature scripts like: MAXXXINE, THE BLACK PHONE,  IMMACULATE, THE WATCHERS, TERRIFIER, TAROT, TALK TO ME, THE STRANGERS, LISA FRANKENSTEIN, THE OMEN, HALLOWEEN, A NIGHTMARE ON ELM STREET, THE NUN, A KNOCK AT THE CABIN, I KNOW WHAT YOU DID LAST SUMMER, FINAL DESTINATION, FRIDAY THE 13TH


We are looking for horror TV scripts like: AMERICAN HORROR STORY, BATES MOTEL, HANNIBAL, FROM, THE OUTSIDER, THE HAUNTING OF HILL HOUSE, THEM, YELLOWJACKETS

  • THE LAST OF US, SUPERNATURAL, BUFFY THE VAMPIRE SLAYER, THE FALL OF THE HOUSE OF USHER, PENNY DREADFUL, CASTLE ROCK, RATCHED

But that's not all, we want to see all new, unique and fresh ideas that we haven't seen before!


For the last 13 years, Stage 32 Contests have led to dozens of success stories including writers getting representation, sold, optioned, staffed, given writing assignments and getting produced. No other contest opens more doors and we want to do the same for you.


If you have a horror story that needs to be told, now is the time to show us what you've got, because our goal is to amplify your voice, give you the access Stage 32 is known for, and take your writing career to the next level!

Benefits

Our Grand Prize winner will:


Be mentored for one year by Nathan Samdahl, longtime Studio Executive behind hit movies such as SMILE, SMILE 2, ORPHAN FIRST KILL, PET SEMATARY, and A QUIET PLACE.


  • Be flown to LA for meetings (travel permitting) to meet with:
    • -- Jake Wagner, Literary Manager & Producer, Alibi Management (client credits incl. POLAROID, CRAWL, BAGHEAD, CHILD'S PLAY)
    • -- John Dunne, Literary Manager & Producer, Independent Artists Media (MY FRIEND DAHMER, SATANIC PANIC)
    • -- Laurie Cook, Producer & Head of Development, Newscope Films (LORDS OF MISRULE, CONSECRATION, THE HAUNTING OF THE QUEEN MARY)
    • -- Nikki Bohm, Producer & Director, Crystal Pantera Productions (HAMMURABI, THE PAINTING)
    • -- Michael Peterson, Director of Development, Phoenix Pictures (THE LAST VOYAGE OF THE DEMETER, SHUTTER ISLAND)
    • -- Rudy Scalese, Independent Producer (GREENLIGHT, RITUAL, 6 SOULS, GOING TO PIECES: THE RISE AND FALL OF THE SLASHER FILM) 
    • -- Matt Black, Independent Producer (UMMA, PORNO)
    • -- Jonathan Barkan, Executive Producer (SKINAMARINK, ETHERIA, DREAD: THE UNSOLVED)
    • -- Jeremy Elliott, Head of Production, Crypt TV (THE GIRL IN THE WOODS, THE FACELESS LADY)

  • Work with Stage 32 to develop your winning script’s pitch deck for the market.

  • Have your professional biography sent to an exclusive roster of over 30 agents and managers who have a First Look deal with Stage 32 and are actively looking for new clients and material.

  • Receive a free membership to the Stage 32 Writers’ Room, a private, virtual community of writers from around the world the meet and learn from industry professionals like Meg LeFauve (INSIDE OUT, CAPTAIN MARVEL) and Aimee Riviera, VP of Motion Picture Production at Skydance Media (TOP GUN: MAVERICK), Tripper Clancy (STUBER) and managers & agents from WME, CAA, Gersh, Circle of Confusion, Zero Gravity & more!

  • Free access to Stage 32’s educational webinar library, which includes over 3,000 hours of content featuring top industry professionals

  • Continued support from the Stage 32 team to help move your career forward and get you in front of decision makers!


In addition to these meetings, the winner will also receive access to Stage 32’s Educational resources, be promoted on Stage 32’s social media, and have their professional biography sent to an exclusive roster of over 30 agents and managers hand picked by Stage 32 who are actively looking for new clients and material. Stage 32 will facilitate introductory meetings to any of the representatives who respond to your material and bio. This is the type of exposure that will change your career forever!

 

If you reach the Finals, you still get massive exposure to decision makers!


ALL FINALISTS will receive a FREE MONTH OF THE MEMBER'S ONLY STAGE 32 WRITERS' ROOM, an exclusive community of writers who gather online for inspiring and educational webcasts from top industry pros, and will be in a Stage 32 Finalists Lookbook which includes your script title, logline & bio mailed to over 500 industry executives including, managers, agents, producers, development executives, and financiers! Stage 32 Lookbooks are some of the most sought after talent resources for the industry and have helped secure meetings with places like Sony, Hulu, Showtime, ABC, Amazon, Netflix, Verve, Good Fear, 3 Arts, Zero Gravity, Circle of Confusion, Echo Lake, Gotham Group, Gersh, UTA, CAA, WME, IAG, The Cartel, Art/Work and many, many more!


Stage 32 will be a champion for your script - once you’re part of our community, we make sure you rise to the top!



Our Horror Screenwriting Contest Winners See Results

 

Last year's winners, Tanya Klein & Jim Cirile gained massive traction on their winning script PSYCHOPATHY, which found itself setup for production with Lucas Heyne (MOPE) directing and Kelly Hayes (OLD DOGS, SITE) producing on currently a $1.5 million budget! All this after Tanya & Jim took a full slate of meetings with Literary Managers, Development Execs, and Producers from Verve, Independent Artists Group, Wonderstreet, Toluca Pictures, and more! 


Previous winner, Christina Pamies, was signed by "Billion Dollar" Literary Manager, Jake Wagner. After that, he got her a paid gig with StudioCanal writing the recently released film BAGHEAD (2023), which was co-produced by The Picture Company and released via AMC+ Networks!  

 

Previous winner, Kevin Bachar, had his winning script BLOOD RELATIVE produced and released as THE INHABITANT (2022) by Lionsgate through Gravitas Ventures and Highland Films. 


Previous winner, Richard Doyle, who is based in Australia, met with almost a dozen industry pros and signed with literary manager Will Rosenfield through Stage 32!


Previous winner, Glenn Forbes signed with Infinity Management International!


Previous runner-up, Frank Ponce signed with 3 Arts Entertainment and had his script picked up for development by Atlas Entertainment. Frank went on to sell an Evel Knievel limited series to USA Network with Atlas Entertainment, Wonderland Sound & Vision, and Universal co-producing. He also got his own producing career off the ground with 4 films in the last few years: THE LINE (2023), JAMOJAYA (2023), PRIVATE PROPERTY (2022), and AS THEY MADE US (2022), all thanks to Stage 32 helping his career lift-off!


 

Judges

Grand Prize winner will be flown to LA for meetings (travel permitting) to meet with:
18 Hz

Nathan Samdahl (SMILE, SMILE 2)

Senior Vice President, Features

18 Hz

Nathan Samdahl is the SVP at Walter Hamada's 18hz Productions and was previously the VP of Development and Production at Paramount Players and Creative Executive at Paramount Studios where he was instrumental in making the horror hit SMILE as well as notching up movies such as A QUIET PLACE, OVERLORD, PET SEMATARY, ORPHAN: FIRST KILL, and Alex Garland’s ANNIHILATION. Before working at Paramount Studios, he worked in development at Paramount Insurge which was Paramount's indie division specializing in projects under $5M where he worked on films including 10 CLOVERFIELD LANE. Nathan worked at agency powerhouse APA in the lit department. He originally worked for agents Debbie Deuble, Sheryl Peterson, and Sarah Amico before being promoted to features coordinator. Before APA he read and developed scripts at Sidney Kimmel Entertainment (MONEYBALL, THE PLACE BEYOND THE PINES) and New Regency Productions (MR AND MRS SMITH).

Alibi Management

Jake Wagner (BAGHEAD, CHILD'S PLAY)

Manager/Producer

Alibi Management

Jake Wagner is one of the most respected Literary Managers and Producers working in the business today, he served as the Executive Producer on the hit Netflix comedy SENIOR YEAR starring Rebel Wilson, the action-comedy STUBER starring Dave Bautista and Kumail Nanjiani, and the horror feature BAGHEAD starring Freya Allan (KINGDOM OF THE PLANET OF THE APES, THE WITCHER, and HBO's THE THIRD DAY). Jake signed Stage 32 writer Christina Pamies who wrote the hit film BAGHEAD for Studio Canal which was featured in the Hollywood Reporter. Jake has also been one of the top-selling spec script managers of the last decade. Jake was responsible for the largest spec sale of the last 10 years (and one of the biggest in history), with SNOW WHITE AND THE HUNTSMAN which sold to Universal Pictures. After an illustrious and celebrated career at Benderspink and Good Fear and Film + Management, Jake owns and founded Alibi Management. Jake’s clients have made some of the most popular recent horror films including POLAROID, CRAWL, and CHILD'S PLAY. Jake has a long history of finding material for development and loves working with Stage 32 writers.

Crypt TV

Jeremy Elliott (Crypt TV)

Head of Production

Crypt TV

Jeremy Elliott is a physical production producer with 20+ years experience in the industry working in features, television and commercials. For the past 7 years, he's been Head of Production at Crypt TV, the horror content company founded by Jack Davis and Eli Roth. At Crypt TV, he leads a department of 15+ employees and manage the pipeline of content from Development, through Production and Post, to Final Delivery. During his time at the company, he's Executive Produced a wide range of series and films including THE GIRL IN THE WOODS for Peacock, DON'T WATCH THIS for Netflix, THE BIRCH Seasons 1 & 2 for Facebook Watch and the feature film THE ANGRY BLACK GIRL & HER MONSTER which premiered at the 2023 SXSW Film Festival and was distributed theatrically by RLJE Films. Prior to Crypt TV, he produced several feature films including BIG BEAR starring Adam Brody and Tyler Labine, NOBODY WALKS IN L.A. and COFFEE KILL BOSS.

Independent Artists Media

John Dunne (Lit Manager)

Manager/Producer

Independent Artists Media

John Dunne is a Literary Manager & Producer based in LA. After starting his career at APA (now IAG), John eventually settled as a Manager with Dave Rath’s group at Imagine Artists Management. Now known as Independent Artists Media, John leads the feature film division and, alongside Rath, produced the SXSW Grand Jury & Audience award-winning film I LOVE MY DAD starring IAM client Patton Oswalt. In addition to packaging and development, John represents a list of edgy, up & coming writers, filmmakers and comedians with projects set-up at Imagine Entertainment, CAA Media Finance, XYZ Films, Spyglass Media & Bazelevs. Prior to joining Independent Artists Media, John worked at Aperture Entertainment, whose films include MY FRIEND DAHMER, EXTRACTION, and THE LAST WITCH HUNTER.

Jonathan Barkan (SKINAMARINK)

Executive Producer

Jonathan Barkan is an Executive Producer who has a long history in horror having started his career as the Editor-in-Chief of Dread Central and Bloody Disgusting. His recent producing credits include Kyle Edward Ball's experimental supernatural horror SKINAMARINK (SHUDDER, IFC MIDNIGHT), MY CHERRY PIE, distributed by BayView Enterainment, as well as TV shows like ETHERIA for Amazon and DREAD: THE UNSOLVED for Dread Central. Jonathan is also credited on over two dozen feature films in which he has lent his expertise. He is currently producing MENTAL HEALTH AND HORROR, a documentary discussing the positive impact horror films can have. He served as the Head of Distribution at VMI Releasing (through VMI Worldwide). Previously, he was Head of Acquisitions and Development Director for Distribution Company at Mutiny Pictures. Mutiny Pictures distributed the horror-thriller I AM LISA, the Drama DRIVE ALL NIGHT, and the historical drama THE MATCH. Jonathan was the VP of Feature Film Acquisitions and Distribution for The Horror Collective, where he discovered and acquired horror, thriller, and sci-fi titles. The Horror Collective's latest release is the micro-budget horror project SHIFTER. Jonathan was also the Acquisitions Ambassador for DREAD Presents, a genre-centric distribution label under the banner of Epic Pictures Group. He has served as a jury member at various film festivals around the world, including South by Southwest (SXSW) in Austin, BIFAN in South Korea, Popcorn Frights in Florida, HARD: LINE in Germany, and Fantasia in Quebec, amongst others. Jonathan loves to find elevated genre stories he can develop.

Matt Black (UMMA)

Producer

Matt Black is a feature film Producer who Executive Produced UMMA, which was produced by Sam Raimi for Sony Pictures and featured in The Hollywood Reporter and starred Sandra Oh, as well as PORNO which premiered at SXSW and was also featured in The Hollywood Reporter and was released theatrically. In addition, he has developed studio television projects with veteran showrunners. Matt started his career as a screenwriter and has sold, optioned, or been hired to write nearly a dozen feature films.

Newscope Films

Laurie Cook

Producer & Head of Development

Newscope Films

Laurie Cook is a feature film producer and Head of Development for Jason Newmark's Newscope Films who has worked on almost two dozen feature films with recent films including William Brent Bell’s LORD OF MISRULE, starring Tuppence Middleton and Ralph Ineson, Chris Smith’s CONSECRATION, starring Jena Malone and Danny Huston and THE HAUNTING OF THE QUEEN MARY, starring Alice Eve & Joel Fry. Laurie is producing William Brent Bell’s exorcist film THE ASCENT, and ski heist thriller THE FALL LINE, with Balthazar Kormakur. Laurie develops and produces commercially positioned, high concept, elevated genre films with international sales appeal. Previous titles Laurie has worked on include underwater survival thriller PRESSURE, starring Danny Huston and Matthew Goode, teen horror DON’T HANG UP, Neil Biswas’ debut DARKNESS VISIBLE, Charles Dorfman’s debut BARBARIANS for Media Finance Capital, and Chris Smith’s THE BANISHING for WestEnd Films.

Crystal Pantera Productions

Nikki Bohm

Producer

Crystal Pantera Productions

Nikki Bohm is a multi-faceted Producer who has worked on over 2 dozen film and television shows, in addition to being the founder of genre-oriented independent film production company, Crystal Pantera Productions. She produced Patrick Kennelly’s award-winning thriller HAMMURABI and was on the producing team of the award-nominated drama THE TSAREVICH. Formerly, she was an Associate Literary Agent and Talent Manager at The Robb Company, in addition to her work as a Casting Director where she secured celebrity talent such as Hassan Johnson (THE WIRE) for the award-nominated short film BUG and Dean Winters (LAW & ORDER: SVU) for the thriller MEMOIRE. She has programmed and is regularly invited to juries and panels at prominent International Film Festivals and Markets. Furthermore, Nikki has written, directed, and produced a number of experimental drama, action/thriller, and avant-garde horror feature films. Nikki is always looking for bold & original scripts to develop, produce and/or recommend to her Co-production partners.

 Phoenix Pictures

Michael Peterson

Director of Development

Phoenix Pictures

Michael runs Development for Phoenix Pictures with Mike Medavoy, where he worked on THE 33 with Antonio Banderas, THE PROMISE with Christian Bale and Oscar Isaac, and the Monty Python comedy ABSOLUTELY ANYTHING with Kate Beckinsale and Simon Pegg. They are in development on an NFT documentary. Michael was also involved in the development of THE LAST VOYAGE OF THE DEMETER starring Corey Hawkins, based on Bram Stoker's Dracula novel, and in production partnership with Steven Spielberg's Amblin, Universal, and Dreamworks. Phoenix Pictures, known for producing critical and commercial hit films, including the Oscar-winning film BLACK SWAN, Martin Scorsese's SHUTTER ISLAND, and WHAT TO EXPECT WHEN YOU'RE EXPECTING. Michael produced The Critics Choice-nominated series THE LONG ROAD HOME for National Geographic and the animated film OZI: VOICE OF THE FOREST with Medavoy, which premiered at the Annecy International Film Festival. Prior to joining Medavoy at Phoenix, Michael worked in independent production as a producer and production manager. Michael has great experience in development and is always looking for more projects to develop and grow writers' talents.

Rudy Scalese

Producer

Rudy Scalese is a producer who has worked on over two dozen film and television productions, including Sofia Coppola’s THE BLING RING starring Emma Watson for A24 and CASA DE MI PADRE starring Will Ferrell, Diego Luna, and Gael Garcia Bernal for Netflix and Gary Sánchez Productions. He’s also worked with Oscar winners Julianne Moore, Brendan Fraser, and Paul Haggis. Scalese specializes in horror having worked with horror legend Wes Craven on NEW NIGHTMARE and GREENLIGHT with the Horror Collective. He has also produced a number of projects for Crypt TV, ran by top producer Eli Roth (KNOCK KNOCK and DEATH WISH), and spoken at the Television Critics Press Tour for Starz. Prior to producing an upcoming slate of Horror films in development, Scalese recently served as Vice President of Production and Development for NALA Films where he oversaw the development, production and distribution of the company’s slate, including Sofia Coppola’s THE BLING RING and Warner Independent Pictures' IN THE VALLEY OF ELAH directed by Academy Award winner Paul Haggis. Scalese also served as producer on Casa De Mi Padre, Ceremony starring Uma Thurman, Michael Angarano & Lee Pace, IM Global's 6 Souls starring Julianne Moore and Jonathan Rhys Meyers, and THE AIR I BREATHE starring Kevin Bacon and Oscar-winner Brendan Fraser. Scalese also produced the critically acclaimed documentary “Going to Pieces: The Rise and Fall of the Slasher Film” for Starz/Encore based upon the book of the same title by author Adam Rockoff. Prior to producing the documentary, Scalese helped run an LA Horror Film Festival alongside “genre great” Stan Winston and was a Literary Manager at D-No Entertainment.

Beryllium Entertainment

Ethan Erwin

Producer

Beryllium Entertainment

Ethan Erwin is a writer and producer with over 15 years of experience in the industry. Erwin's films have grossed over $1.5 billion dollars worldwide, including credits such as SHERLOCK HOLMES: A GAME OF SHADOWS, BOOK OF ELI, UNKNOWN, THE GUNMAN, THE NICE GUYS, ORPHAN, and it's sequel, ORPHAN: FIRST KILL. Erwin also served as a producer on SUPERFLY, starring Michael Kenneth Williams and released by Columbia Pictures, the Coen brothers-penned caper SUBURBICON, directed by George Clooney and starring Matt Damon, and WHITEOUT, directed by Dominic Sena, starring Kate Beckinsale and Gabriel Macht, and produced by Warner Brothers, in addition to the films COLLIDE, THE APPARITION, THE HILLS RUN RED, and RETURN TO HOUSE ON HAUNTED HILL. He also wrote the film SOLSTICE, as well as on the CBS cult hit TV show MOONLIGHT. Erwin has developed and produced film, television and digital projects with A-list stars, directors and writers including Robert Downey Jr., Sandra Bullock, Denzel Washington, Sir Anthony Hopkins, Matt Damon, Julianne Moore, Russell Crowe, Ryan Gosling, Rachel McAdams, Sean Penn, Hilary Swank, Guy Ritchie, George Clooney and Shane Black. He now serves as principal of his own production company Beryllium Entertainment.

2023 Finalists on Coverfly

See Other Placements

Announcements

Dec 27th
Semifinalists
Jan 10th
Finalists
Jan 24th
Winners

Rules

At the program's request, Coverfly will automatically remove your title page for you if you include one when submitting to this program.

ENTRANT TERMS AND CONDITIONS

Void where prohibited by law.

This Stage 32 Contest is an international contest. Must be 18 years or older to submit.

Entrant agrees to Stage32.com terms and conditions.

This Stage 32 Contest is not a game of chance. All material is read and reviewed by industry professionals.

All quarterfinalists, semi-finalists, finalists and winners are subjectively determined by our judges.

There is no limit to the number of screenplays an Entrant can enter. The same screenplay cannot be submitted multiple times under different names. If so, you will be disqualified.

Entrant must not be an immediate family member or friend of any of the judges or their respective companies.

Entrant acknowledges that because of the judges' and mentors' position in the entertainment industry they receive numerous submissions of ideas, formats, stories, suggestions and the like and that many such submissions heretofore or hereafter received by them are similar to or identical to those developed by them or their employees or, if an agent, are otherwise available to them.

Entrant acknowledges that they will not be entitled to any compensation because of the use by judges or mentors of any such similar material.

Entrant acknowledges that no fiduciary or confidential relationship now exists between Entrant and judges or mentors, and Entrant further acknowledges that no such relationships are established between Entrant and judges or mentors by reason of this contest entry.

Entrants must submit screenplays and payment online.

Entrants must upload their submission within 72 hours of entry purchase.

Entry fees will not be returned or adjusted.

No waivers are available for this contest.

 

SCREENPLAY TERMS AND CONDITIONS

Screenplays should be written in English and in standard industry format.

The rights to the Entrant’s screenplay should not have been previously optioned or sold.

The Entrant retains the rights to his or her screenplay at all times.

Entrant’s screenplay must not have been produced.

The screenplay can be submitted with or without a title page and/or contact information.

After a screenplay is entered, no new drafts or corrected pages can be made by the Entrant unless it is confirmed in our records that the Entrant has paid for the "Resubmission" option.

Screenplay must be submitted as a PDF document.

Screenplay must be the original work of the Entrant and may not be based whole or in part on any fictional or non-fictional material, published or unpublished, produced or unproduced for which the Entrant does not have rights. Neither Stage 32 nor its judges investigates or attests to the authenticity of an applicant’s statement of authorship or rights secured. By entering the competition, you are acknowledging that you have secured all necessary rights.